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	<title>Malcolm Edmonstone</title>
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	<link>http://www.malcolmedmonstone.com</link>
	<description>Jazz Musician</description>
	<lastBuildDate>Sun, 15 Aug 2010 20:08:46 +0000</lastBuildDate>
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		<title>New project!</title>
		<link>http://www.malcolmedmonstone.com/?p=136</link>
		<comments>http://www.malcolmedmonstone.com/?p=136#comments</comments>
		<pubDate>Sun, 15 Aug 2010 20:08:46 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[I&#8217;m very proud to be working with Lester and Ralph Salmins. Here&#8217;s a quick glimpse at what we&#8217;re up to&#8230;]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m very proud to be working with Lester <i>and </i>Ralph Salmins. Here&#8217;s a quick glimpse at what we&#8217;re up to&#8230;</p>
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		<title>NYJOS **** (Scotsman)</title>
		<link>http://www.malcolmedmonstone.com/?p=123</link>
		<comments>http://www.malcolmedmonstone.com/?p=123#comments</comments>
		<pubDate>Sun, 15 Aug 2010 16:23:33 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[NYJOS]]></category>

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		<description><![CDATA[National Youth Jazz Orchestra of Scotland **** Tolbooth, Stirling THERE was a time when youth big bands clung resolutely to tried and tested fare, but these days the level of ambition has grown enormously. For their latest tour, NYJOS took on a piece that would challenge any established big band, Kenny Wheeler&#8217;s Sweet Time Suite, [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #000000; font-family: Arial, Helvetica, sans-serif; line-height: normal; font-size: 12px;"> </span></p>
<div id="ds-firstpara" class="ds-firstpara" style="padding-top: 0px; padding-right: 0px; padding-bottom: 10px; padding-left: 0px;"><strong>National Youth Jazz Orchestra of Scotland ****</p>
<p></strong><strong>Tolbooth, Stirling</strong></p>
</div>
<div id="va-bodytext" class="va-bodytext" style="float: none;">THERE was a time when youth big bands clung resolutely to tried and tested fare, but these days the level of ambition has grown enormously. For their latest tour, NYJOS took on a piece that would challenge any established big band, Kenny Wheeler&#8217;s Sweet Time Suite, and then capped the concert with a second half of equally demanding and unusual music.</p>
<p>Co-director Andrew Bain conducted the young band through the manifold intricacies of Wheeler&#8217;s lyrical seven-piece suite. They omitted Norma Winstone&#8217;s wordless vocal contributions in the original, settling for a purely instrumental version that impressed with the discipline and coherence of the ensemble playing, enhanced by some resourceful soloing from tenor saxophonist Scott Murphy, Sean Gibbs on flugelhorn, Ruaridh Pattison on soprano and alto saxophones and bassist Brodie Jarvie, among others.</p>
<p>It was a shade underpowered in places, but it was a more than successful first outing, and should tighten up further by the time they reach Glasgow on Monday.</p>
<p>The special guest on this tour, former Loose Tubes trumpeter Chris Batchelor, led a celebratory and more informal second half in which the band revisited the music on which he cut his professional teeth, the South African-influenced jazz of London-based expatriates Dudu Pukwana and Chris MacGregor.</p>
<p>The players attacked this vibrant, colourful and often challenging music with real flair and freedom, and a palpable sense of engagement with &#8211; and enjoyment of  - everything they did.</p>
</div>
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		<title>NYJOS with Chris Batchelor **** (The Herald)</title>
		<link>http://www.malcolmedmonstone.com/?p=122</link>
		<comments>http://www.malcolmedmonstone.com/?p=122#comments</comments>
		<pubDate>Sun, 15 Aug 2010 16:20:14 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[NYJOS]]></category>

		<guid isPermaLink="false">http://www.malcolmedmonstone.com/?p=122</guid>
		<description><![CDATA[The joyous, physically uplifting African sounds of Chris McGregor’s Brotherhood of Breath weren’t exactly overexposed on Scottish stages in the band’s 1970s heyday and its early albums are coveted by vinyl collectors more for the rarity value of the record label, Neon, than the still fabulous content. So big hats off to former Brotherhood trumpeter [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #000000; font-family: Arial, Helvetica, sans-serif; line-height: normal; font-size: 12px;"> </span></p>
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;"><strong>The joyous, physically uplifting African sounds of Chris McGregor’s Brotherhood of Breath weren’t exactly overexposed on Scottish stages in the band’s 1970s heyday and its early albums are coveted by vinyl collectors more for the rarity value of the record label, Neon, than the still fabulous content.</strong></p>
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;">
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;">So big hats off to former Brotherhood trumpeter Chris Batchelor for taking the opportunity of his guest appearance with the National Youth Jazz Orchestra of Scotland to introduce his former boss’s musical message to these young players and encouraging them into a free spirited, invigorating session that makes tonight’s concert at the Old Fruitmarket in Glasgow essential to any music lover’s well-being.</p>
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;">This was actually two very impressive sides of NYJOS. In the first half they gave a splendid account of the quiet man of British jazz, Kenny Wheeler’s wistful and thoughtfully ecstatic Sweet Time Suite, capturing the elegiac brass chorales, shapely contours and engaging uptempo movement that make Wheeler’s writing at once so deeply personal and highly approachable.</p>
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;">The occasional free-wheeling required to realise this piece, alongside discipline and control, was hugely magnified, however, when Batchelor joined them after the interval. In Brotherhood of Breath, Chris McGregor and his fellow Blue Note, saxophonist Dudu Pukwana, married African folk melody and sociability with an Ellingtonian richness and Mingus-like roguishness to create truly intoxicating jazz.</p>
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;">Playing in the round, NYJOS all but lifted the audience out of their seats during Pukwana’s MRA, with its brilliantly panoramic horn fanfares, and McGregor’s dancing, sunny Andromeda. If their individual improvising didn’t always match the collective effort, it didn’t matter. This was youthful enthusiasm and ability gloriously channelled.</p>
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;">Repeated tonight at Glasgow’s Old Fruitmarket.</p>
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;">
<p style="margin-top: 10px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; padding: 0px;">Star rating: ****</p>
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		<title>Malcolm Edmonstone Biography</title>
		<link>http://www.malcolmedmonstone.com/?p=111</link>
		<comments>http://www.malcolmedmonstone.com/?p=111#comments</comments>
		<pubDate>Sun, 15 Aug 2010 15:43:08 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[Personal]]></category>

		<guid isPermaLink="false">http://www.malcolmedmonstone.com/?p=111</guid>
		<description><![CDATA[“truly an astonishing musician” The Daily Telegraph “combines a sensuous touch with Bach-like precision” The Guardian Malcolm Edmonstone is a jazz pianist and arranger, born in Perth, Scotland in 1980. In 1998 he moved to London to study at the Guildhall School of Music and Drama, where he is now Deputy Head of Jazz Studies. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.malcolmedmonstone.com/wp-content/uploads/2010/03/photo2.jpg"><img class="alignright size-thumbnail wp-image-95" title="photo2" src="http://www.malcolmedmonstone.com/wp-content/uploads/2010/03/photo2-150x150.jpg" alt="" width="150" height="150" /></a>“<em>truly an astonishing musician</em>” The Daily Telegraph</p>
<p>“<em>combines a sensuous touch with Bach-like precision</em>” The Guardian</p>
<p>Malcolm Edmonstone is a jazz pianist and arranger, born in Perth, Scotland in 1980. In 1998 he moved to London to study at the Guildhall School of Music and Drama, where he is now Deputy Head of Jazz Studies. Having gained Bachelors and Masters degrees, Malcolm continues to forge a career as a modern musician, working as a pianist, educator, arranger and musical director in many high profile situations.</p>
<p>Whilst studying at GSMD, he was called on by Laurie Holloway to cover the piano chair on an international tour with his wife, the late jazz legend Marion Montgomery. Since then Malcolm has continued to work with Laurie on various projects, including the first three series of the BBC1 show <em>Strictly Come Dancing</em>, where he played piano and arranged a significant portion of the music. During this time Malcolm was writing prolifically and having his arrangements performed live on television to audiences upwards of 10m.</p>
<p>At 21, he met Jacqui Dankworth and soon became her Musical Director. Together they have toured the world and been involved in numerous recording projects, including albums <em>Detour Ahead</em> and <em>Back to You</em>. In 2009, Malcolm had the honour of working alongside the late Sir John Dankworth on an album with Jacqui. They worked together on the arrangements on what was sadly the last of many occasions in which Sir John mentored Malcolm’s development as a writer.</p>
<p>Malcolm works with some of the most original musicians in the UK. He is a member of Mike Walker’s Madhouse band, and has played with many of the UK&#8217;s leading jazz musicians, including Mark Lockheart, Stan Sulzmann and Iain Dixon. At the 19th meeting of the <em>International Association of Schools of Jazz</em>, Dave Liebman invited Malcolm to play in his only appearance during that conference.</p>
<p>As a session musician, Malcolm’s extensive work ranges from recording for BBC Radio 3 with conductor Lorin Maazel to playing on live television with Tony Bennett. He has recorded extensively as a sideman in the jazz and commercial music worlds. He has twice been commissioned by the National Youth Jazz Orchestra of Scotland, the second of which is featured on the disc Scotland Suite. His first album as a leader, featuring Mark Lockheart and Mike Walker, will be released in 2011.</p>
<p>Education has always been a large part of Malcolm’s life – as well as five years as co-Director of NYJOS and the same time as a Professor at GSMD, he has held many visiting teaching positions, including stints at RAM, TCM, Middlesex University and Birmingham Conservatoire. He is often employed by ABRSM to work with classical peripatetic teachers exploring jazz music.</p>
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		<title>Herbie&#8217;s Solo interlude on Stella by Starlight</title>
		<link>http://www.malcolmedmonstone.com/?p=105</link>
		<comments>http://www.malcolmedmonstone.com/?p=105#comments</comments>
		<pubDate>Wed, 21 Apr 2010 13:12:57 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[Harmony]]></category>

		<guid isPermaLink="false">http://www.malcolmedmonstone.com/?p=105</guid>
		<description><![CDATA[The &#8217;64 concert is one of the great records in jazz &#8211; here&#8217;s Herbie Hancock&#8217;s reharm from the start of his solo on Stella by Starlight. George Coleman plays up until bar 9 of the sequence &#8211; then this beautiful re-harm kicks in at bar 13. Just top-line and chords here, wih original changes shown [...]]]></description>
			<content:encoded><![CDATA[<p>The &#8217;64 concert is one of the great records in jazz &#8211; here&#8217;s Herbie Hancock&#8217;s reharm from the start of his solo on <em>Stella by Starlight</em>. George Coleman plays up until bar 9 of the sequence &#8211; then this beautiful re-harm kicks in at bar 13. Just top-line and chords here, wih original changes shown above for quick reference, but I think it gets the point across. Enjoy!</p>
<p><a href="http://www.malcolmedmonstone.com/wp-content/uploads/2010/04/STELLA-REHARM.pdf">STELLA REHARM</a></p>
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		<title>Modes Bright to Dark</title>
		<link>http://www.malcolmedmonstone.com/?p=78</link>
		<comments>http://www.malcolmedmonstone.com/?p=78#comments</comments>
		<pubDate>Sun, 28 Mar 2010 02:58:55 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[Harmony]]></category>

		<guid isPermaLink="false">http://www.malcolmedmonstone.com/?p=78</guid>
		<description><![CDATA[ModesB2D]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.malcolmedmonstone.com/wp-content/uploads/2010/03/ModesB2D.pdf">ModesB2D</a></p>
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		<title>Functional Harmony part 1</title>
		<link>http://www.malcolmedmonstone.com/?p=64</link>
		<comments>http://www.malcolmedmonstone.com/?p=64#comments</comments>
		<pubDate>Sun, 28 Mar 2010 01:44:16 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[Harmony]]></category>

		<guid isPermaLink="false">http://www.malcolmedmonstone.com/?p=64</guid>
		<description><![CDATA[I]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.malcolmedmonstone.com/wp-content/uploads/2010/03/I.pdf">I</a></p>
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		<title>Mark Lockheart with Guildhall Jazz Band</title>
		<link>http://www.malcolmedmonstone.com/?p=24</link>
		<comments>http://www.malcolmedmonstone.com/?p=24#comments</comments>
		<pubDate>Sun, 28 Mar 2010 00:24:20 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[GSMD]]></category>

		<guid isPermaLink="false">http://www.malcolmedmonstone.com/?p=24</guid>
		<description><![CDATA[Friday&#8217;s concert marked the culmination of this year&#8217;s Guildhall Jazz Festival, and was a remarkable performance by the wonderful Mark Lockheart. The students played exceptionally well in what Head of Jazz Martin Hathaway describes as &#8220;one of the very best GJB concerts&#8221; in his 23 tenure at the school. Mark&#8217;s music had a major impact [...]]]></description>
			<content:encoded><![CDATA[<p>Friday&#8217;s concert marked the culmination of this year&#8217;s <em>Guildhall Jazz Festival</em>, and was a remarkable performance by the wonderful Mark Lockheart. The students played exceptionally well in what Head of Jazz Martin Hathaway describes as &#8220;<em>one of the very best GJB concerts</em>&#8221; in his 23 tenure at the school. Mark&#8217;s music had a major impact on both the audience and performers, with his beautiful ballad, <em>Way of the Road</em> a particular highlight. His music has recently been released on the album <em>Days Like These </em>with the NDR Big Band on Fuzzy Moon records. See <a title="marklockheart.co.uk" href="http://www.marklockheart.co.uk">marklockheart.co.uk</a></p>
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		<title>Guildhall Jazz Singers &amp; Choir</title>
		<link>http://www.malcolmedmonstone.com/?p=9</link>
		<comments>http://www.malcolmedmonstone.com/?p=9#comments</comments>
		<pubDate>Thu, 25 Mar 2010 21:36:14 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[GSMD]]></category>

		<guid isPermaLink="false">http://www.malcolmedmonstone.com/?p=9</guid>
		<description><![CDATA[The jazz festival continued last night with a fantastic concert given by the school&#8217;s two vocal groups. During the first half, the Choir performed Malcolm&#8217;s transcriptions of Take 6 charts and the Singers presented a variety of material, including a most enjoyable improvised piece. The performance culminated in the performance of Scott Stroman&#8217;s Songs of Life [...]]]></description>
			<content:encoded><![CDATA[<p>The jazz festival continued last night with a fantastic concert given by the school&#8217;s two vocal groups. During the first half, the Choir performed Malcolm&#8217;s transcriptions of <em>Take 6 </em>charts and the Singers presented a variety of material, including a most enjoyable improvised piece. The performance culminated in the performance of Scott Stroman&#8217;s <em>Songs of Life and Liberty</em>, a remarkable collection of songs arranged for massed choir and octet. The concert was a great success and the students can now look forward to recording some of that music.</p>
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		<title>Dave Liebman visits GSMD</title>
		<link>http://www.malcolmedmonstone.com/?p=5</link>
		<comments>http://www.malcolmedmonstone.com/?p=5#comments</comments>
		<pubDate>Thu, 25 Mar 2010 21:31:34 +0000</pubDate>
		<dc:creator>Malcolm Edmonstone</dc:creator>
				<category><![CDATA[GSMD]]></category>

		<guid isPermaLink="false">http://www.malcolmedmonstone.com/?p=5</guid>
		<description><![CDATA[The annual Guildhall jazz festival got off to an incredible start with a two day visit from Dave Liebman. As well as delivering his legendary transcription class, he played with staff and students, setting the bar high for a fantastic week. See daveliebman.com]]></description>
			<content:encoded><![CDATA[<p>The annual Guildhall jazz festival got off to an incredible start with a two day visit from Dave Liebman. As well as delivering his legendary transcription class, he played with staff and students, setting the bar high for a fantastic week. See <a href="http://www.daveliebman.com">daveliebman.com</a></p>
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